A +48v option also allows the connection of both condenser and dynamic mics. There are two combi mic/line inputs with Hi-Z (impedance) options for switching between guitar and bass signals or those from synths or drum machines. There's also the 4k button which adds some extra presence and high-end zing (and, more importantly, makes you feel that little bit more 'pro'). This is the big brother to the standard SSL2, the main difference being that the 2+ adds two outputs to the 2-in, 2-out configuration of the 2, MIDI In/Out plus an additional independent headphone out (with both being able to monitor different mixes). Read the full Audient EVO 4 review Best for monitoringĪ compact interface with pro features and connectivity, the SSL2+ promises an affordable version of ‘the SSL sound’, bringing the feel of a gazillion recordings made in 7-figure recording studios within reach of everybody. These are great value too, the simplest and cleverest solutions to compact audio interfaces we’ve come across. We think the one-dial solution is beautifully implemented and overall the design makes both the EVO 4 and 8 clever, compact desktop solutions that sound great. EVO 8 allows two people to monitor with studio headphones. Using the headphone socket means the main dial controls this level. These are 1 and 2 (for the input levels), and output (bottom right) plus a final button which means the dial adjusts the mix between the input and DAW. Two speaker-outs complete the connections.Ī central main dial controls the level of the output, plus a number of other levels determined largely by which buttons on the top of the panel you press. The more expensive EVO 8 doubles the inputs to four. You’ll find two combi mic/line inputs around the back of the EVO 4, and one instrument level input at the front for connecting guitar or bass (which then overrides the first input around the back). The compact Evo range was launched a couple of years ago to much acclaim. Read the full Universal Audio Apollo Twin X review Best budget interface We found it to be an incredibly fleshed-out and powerful recording experience using one of these and combined with the portable size, it’s the perfect interface for taking to and from recording sessions, with the connectivity to grow with you should you choose to invest further in the UA ecosystem. The front face of the Apollo Twin X features a huge knob that can be used for volume control of monitors, headphones, and input gain, as well as some handy buttons for phantom power, muting, and various other features. This means you can load in a vintage Neve channel strip which will modify the behavior of the analog input for some uncanny recreations of proper recording studio channels. This isn’t too different from any other desktop-based interface here, however, the clever bit is how the Unison preamps are matched with DSP processing. There are two hybrid XLR/jack inputs on the back with an instrument input on the front that overrides one of the back connections. It comes in two formats, Duo and Quad which are named for the amount of DSP processing chips they possess. We're big fans of the Universal Audio Apollo Twin X here at MusicRadar, and this super interface has some incredibly powerful features that will offer a serious upgrade to anyone’s home recording experience.
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